Amb la Lluna a l'Esquena
standing next to sunflowers always makes me feel weak like “look at this fucking flower. this flower is taller than i am. this flower is winning and i’m losing”
Wow you are not ready to hear about trees.
Què és aquesta merda
ok, no he dit res
Què és aquesta merda
“…I have had such a sickening of men in masses, and of causes, that I would not cross this room to reform parliament or prevent the union or to bring about the millennium. I speak only for myself, mind - it is my own truth alone - but man as part of a movement or a crowd is indifferent to me. He is inhuman. And I have nothing to do with nations, or nationalism. The only feelings I have - for what they are - are for men as individuals; my loyalties, such as they may be, are to private persons alone.”
Al Japó presenten la consulta catalana com si fos l’Street Fighter.
via @Elvellblues @LidiaGoncor @Rauldsm
Autumn: A Jazz Mix
Here’s a laid-back little jazz playlist for the season. Hope you guys like it! I tried to keep it cool and not too coffeehouse-cute.
(Album art is Childe Hassam, Street Scene in Paris, Autumn, 1889)
The Greatest Thing Since Sliced Bread
Volcanoes seem to be a common topic these days. Yesterday Nautilus published a great piece by Aatish Bhatia on the 1883 eruption of Krakatoa, which tore the island apart and unleashed a sound so loud it was heard more than 4800 km away:
The British ship Norham Castle was 40 miles from Krakatoa at the time of the explosion. The ship’s captain wrote in his log, “So violent are the explosions that the ear-drums of over half my crew have been shattered. My last thoughts are with my dear wife. I am convinced that the Day of Judgement has come.”
In general, sounds are caused not by the end of the world but by fluctuations in air pressure. A barometer at the Batavia gasworks (100 miles away from Krakatoa) registered the ensuing spike in pressure at over 2.5 inches of mercury1,2. That converts to over 172 decibels of sound pressure, an unimaginably loud noise. To put that in context, if you were operating a jackhammer you’d be subject to about 100 decibels. The human threshold for pain is near 130 decibels, and if you had the misfortune of standing next to a jet engine, you’d experience a 150 decibel sound. (A 10 decibel increase is perceived by people as sounding roughly twice as loud.) The Krakatoa explosion registered 172 decibels at 100 miles from the source. This is so astonishingly loud, that it’s inching up against the limits of what we mean by “sound.” #
Those are some mindbogglingly enormous numbers. Aatish does a wonderful job of explaining the science behind an explosion whose effects ricocheted through the atmosphere for days afterward. Check out the full article over at Nautilus. (Image credit: Parker & Coward, via Wikipedia)
Some hand references.
Redid a post by fucktonofanatomyreferencesreborn with sources because they never source anything and I don’t want to reblog that post because I don’t want to support blogs who don’t give credit to people
(No, stating that the art is ~not yours~ and ~came from elsewhere~ IS NOT PROPER CREDIT. Many of these have usernames and such on them but not every single one and you still ought to link back to the specific piece)
I couldn’t source the last one so I didn’t include it.
Things to do while shipwrecked.
Killick is a goddam lunatic and I adore him.
Okay so i got a few notes on how i go about Environments/Landscapes…so i’ll share a method thats easy to work with….bare with me its been a little while since ive drawn them Lol
First thing you want to start of with in your gradient background…use what ever is your preference. Depends on the setting, ima do some type of desert/dusty place.
You’ll learn that the Lasso tool is gonna be your bae when it comes to environments…that and its pretty useful. Now your going to be working in three tones, 1.Dark 2.Mid 3.Light and it will always be the darkest at the front fading to light towards the back…make sense? So you will have three layers for each one to make your life easier and Lock those layers so you will only color within that area. Make sure the dark layer is on top.
Here is where the fun kicks in…we add our dets, try to stay with each tone and dont end up making it all muddy so you cant distinguish each one. Now you can go about this any way you please, you can paint it all in with one brush ( for some reason people get anal about shit like that, thinking there great for using one brush…i think if you got tools use em if you know how to do it right.) Or you can use custom brushes…since this is a tut ill mostly use custom brushes to slap stuff around. Its up to you really, also use the lasso tool like i said its your bae.
The lasso can help define things better for you, so i wanted to add a structure type on the third layer. If you want to give an effect that the selection ive made is in front of the background right click your selection and invert it, add some lighting around the edges…only a little though you dont want to over do it.
Also if you’ve done something on a layer you dont want to mess up or paint on what you can do is create a clipping mask on that layer. Its kinda like locking the layer to that one so you dont go outside of the layer or ruin what you worked on. Make a new layer above the one you wish to attach it to and right click the newlayer, a menu will pop up, your looking for clipping mask. Once you clicked it the layer should look like what ive circled.
Once your done working on each layer we are gonna put in some mist effect, this is something that helps separate each section. So make a new layer between each of your three as shown in the image. Like i said you can use what ever method you like, i just use a soft brush or cloud/mist brush to get what i want.
Now we are going to add some definition to the image a good one to use is Curves. You can find this where your layer menu is, at the bottom you’ll find it, ive circled what your looking for. On the third image is what will appear when you click curves, all you need to do is drag the little square and you’ll see some magic happen. So adjust it to your preference. If you want you can also mess with brightness/contrast too. ALSO i would recommend adding a person in the image, it gives you an idea of the scale your environment is.
I was going to end it there but hey, ill show one last thing…its pretty simple. and that is some water reflection, we are going to turn the middle into water instead cause its a little boring right now. I merged all layers but the first one, you then want to make a selection and copy/paste. Free transform in the shortcut is ctrl T and do a vertical flip on it then adjust so its mirroring the top.
Now make a clipping mask like i explained earlier on the reflected surface and use the radiant tool…i think its called that lol it gives it more of a water surface like you see. For the image below it i used a custom brush which creates a water effect, aaaaaaaaaand bam you got you water now covering the area…easy huh.
And so this concludes the Tutorial and you have the end result. Hopefully that gave some tips on how to approach landscapes…they can be confusing sometimes on where to start. Enjoy and let me know if it was useful or not :P
Ships in Distress off a Rocky Coast